PART 1 - The First Greek Actors and Actresses of Hollywood's Silent Era
BETWEEN SILENCE AND SOUND:
THE FIRST GREEK ACTORS AND ACTRESSES OF HOLLYWOOD
Part 1
By Steve Frangos
Published in The National Herald, July 14, 2012
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I am excited that The National Herald has given Hellenic Genealogy Geek the right to reprint articles that may be of interest to our group.
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Greeks were an active part
of the American film industry
even before such an industry
was established. Documents exist
about the involvement of
Greek immigrants in the Edison
laboratories as well as purchasers
of Thomas Edison's first
line of kinetoscopes. Kinetoscopes
and similar machines
were the first viewing machines
seen in nickelodeon parlors. As
many among Greek-America's
senior generation will recall,
Greek immigrants were actively
involved in the advent of local
nickelodeons, which led to their
purchasing vaudeville and moving
picture theaters. That said,
trying to authoritatively identify
Greek actors in early Hollywood,
during the silent film era,
is extremely difficult. To be sure
individuals such as Jack Pierce,
George Kotsonaros, George Regas,
and his brother Petros are
well-recognized as among the
earliest reliably documented
motion picture actors. Yet, with
the sole exception of Jack
Pierce, the other actors did not
begin their careers until the
mid-1920s.
Between 1894 and 1910,
three dozen short films were
made by the earliest film companies
and inventors: the Edison
Company, American Mutoscope,
Biograph Company, the Lumiere
Brothers, Georges Melies, and
Essanay Studios. Few of those
first ventures into film had a storyline,
as we understand them
today, but were rather simply
images of common events and
so were named as such: The
Kiss, The Sneeze, and so on.
Among Greeks living in Chicago,
rumors have circulated for
decades that Greek immigrants
worked at the Essanay Studios,
including as character actors.
Essanay was founded in 1907
in Chicago by promoter George
K. Spoor and silent film actor
Gilbert M. Anderson, originally
as the Peerless Film Manufacturing
Company. On August 10,
1907, the name was changed to
Essanay ("S and A") after the
first initial of their surnames. Although
in 1912 Essanay issued
the film, Nepatia, the Greek
Singer, no print of the film now
exists, and the available print
reviews make no mention of
ethnic Greek actors in that early
motion picture. No documentation
appears to exist, therefore,
substantiating those rumors.
Nonetheless, various writers
attribute the first viewing of
those short motion pictures in a
vaudeville theater to Alexander
Pantages (1867-1936), one of the earliest and most successful
of the Greek immigrant impresarios
in North America. Pantages
owned dancehalls during
the Yukon Gold Rush, and then
vaudeville theaters. Ultimately,
he created the largest and powerful
circuit of independentlyowned
vaudeville and movie
theaters in the Western United
States and Canada. Pantages
eventually sold the majority of
his theater chain, before the
1929 stock market crash, to
RKO (Radio-Keith-Orpheum)
Picture Studios. Today, many of
those movie palaces still bear
the name Pantages and have
been refurbished. Some remain
theaters and others cultural centers,
and can be found in
Fresno, CA (now known as
Warners Theatre); Hollywood,
CA; Minneapolis, MN; Tacoma,
WA; Salt Lake City, UT, and the
Canadian cities Toronto (now
known as the Ed Mirvish Theatre)
and Vancouver. All that
says nothing for the other local
theaters scattered across the
United States, Canada, and
Mexico once purchased or built
and owned by Greek immigrants,
which have also been restored
as landmark buildings.
Again, that kind of heavy concentration
of Greeks in the promotional
end of motion pictures
and their involvement in the
technical fields necessary for
this industry have never been
systematically assessed.
The 1927 musical The Jazz
Singer was the first featurelength
motion picture with synchronized
dialogue sequences.
With the release of this film, the
commercial ascendance of the
"talkies" and the decline of the
silent film era began. Between
1894 and 1927, then, there appear
to be some 12 actors said
to be Greek. Aside from the
aforementioned, the remaining
ones are: Peter Kanellos, Nellie
V. Nichols, Luiza Ralls, Lloyd
Pantages, Elene Aristi, and
Demetrios Vilan.
Two other actors reported to
be Greek are Marion Davies
(1897-1961) and Lou Tellegen
(1881-1934). Davies is widely,
and falsely, classified as Greek
because her father’s last name,
Douras must have sounded
Greek to someone (both her
parents were natives of Ireland).
Tellegen, on the other hand, is
often reported as having been
half-Greek, half-Dutch, though
extensive accounts refer to him
as Greek.
The ongoing appearance of
ethnic Greek and individuals of
Greek descent along the edges
of Hollywood is worthy of sustained
independent study. Certain
persons such as Belle Kanaris
Maniates, whose books
and screenwriting abilities warrant
more attention, appear as
one would expect in various
news accounts of the early
1900s. John Pialoglou (1893-
1959) an extremely prominent
tobacco importer, was married
to silent screen starlet Constance
Talmadge (1898-1973)
and their two-year marriage
(and especially her antics during
this period) were the fodder for
countless news accounts. Also,
in any consideration of Greeks
and how Americans perceived
them along the fringes of Hollywood
Carmen Pantages,
daughter of Alexander Pantages,
in her youth was a well-known
figure in ongoing news stories
of an array of movie stars and
starlets.
As far as public documents
now report, Jack Pierce was the
first Greek to appear in Hollywood
films. While there is a
huge gap between what is said
Pierce claimed concerning his
acting roles and what is now the
public record, this is what is
undisputed: Pierce is credited
with appearing as an actor in
nine silent films, inclusive of
short features and feature
length films: Misjudged (1915);
The Dupe (1916); Law and Order
(1917); One Dollar's Worth
(1917); The Enchanted Kiss
(1917); The Man Who Waited
(1922); Riders of the Law
(1922); The Gambling Fool
(1925); and The Speed Demon
(1925). Yet Pierce, no matter his
desires or dreams, was never
destined to become an actor. Today,
Jack Pierce is immortal as
the makeup artist who created
the film images for Dracula
(1931), Frankenstein (1931),
The Mummy (1932), The Invisible
Man (1933), The Bride of
Frankenstein (1935), The Wolfman
(1941), and a host of other
movie monsters.
In Part 2, more information
will be featured on the film roles
and broader careers of the other
nine Greek American actors
whose careers spanned the cusp
from silent films to the era of
sound in Hollywood movies.
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